Suno

suno meri sadaa, mahkii huii, hai pyaar ki sargam
suno kahtii hai kyaa, bheegii hawaa, zara sun to lo sanam

saahiloN pe haiN nazaare ye haseeN…naachne lagin hain maujein bhi
baadaloN se baadalon ka milan… ye ishaare dekho samjho bhii
suno bahki lahar, machali huii, hai pyaar ki sargam
suno uRti ghaTaa, kahtii hai kyaa, zaraa sun to lo sanam

bridge –
ghaneri zulfeiN, damakte aariz, ishq ki tum jannat jaan-e-jaaN
gulaab aaNkheiN, shigufta chehra, meri ho tum mannat jaan-e-jaaN
deevanagii meri tumse javaaN
dhaRkan meri hai tumhaari sadaa
aaaaa…..
beKhudii meiN hamse koi Khataa, ho gayii.. chalo ab chhoRo bhi
is tarah se rah ke Khaamosh tum, kab talak mujhe taRpaaogii
suno dil ki zubaaN, jaltii hui, hai pyaar ki sargarm
suno mausam kaa, chaRtaa nashaa, zaraa sun to lo sanam

Now that Bilzmusic have released their album “Breaking Barriers” {link to itunes: http://itunes.apple.com/us/album/breaking-barriers/id364930732}  I figured I’d post some of the lyrics of the songs that I have written

Here’s one:

Tanhaii

haaye sulagati tanhaai
betaabiyaaN javaaN
afsurda afsurda aaNkheiN
DhooNDheiN tere nishaaN

meri muhabbat, meri ibaadat meri vafaa
zaKhm bane dil ke armaaN
raNg yahaaN baste the
ab hai dhuaaN dhuaaN

saaz hai bikhraa dard se bhaari geet mere
lafz mere hairaaN hairaaN
KhushiyoN ki vo bahaareiN
jaane gayiiN kahaaN

1.  FCKEditor loves to add <p> tags.  Problem becomes even worse if you are making a block with only an image in it and FCKEditor just won’t let you take that <p> tag out.  Of course you can disable FCKeditor and enter everything manually, but I’m sure we will all agree that FCKEditor along with IMCE just makes life a lot easier when adding images to the site.  One solution is to configure the FCKEditor module so that on <Enter> it adds a <br /> tag instead of a <p> tag.  The other solution ties in with the second problem below

2. Even without FCKEditor, when you go and check your site on IE, you see the block is just not positioned properly! What’s going on?  You check the source and you find a <p> tag AGAIN around the image!  What the?  If you create a block with the intent of only including a simple image tag in the code (or anything besides text), Drupal will surround your code with paragraph tags. The tags, by default, come along with a 1em margin on both top and bottom — right, while Firefox may show your design properly, IE definitely doesn’t.  Solution?  You can always just put a small code in the CSS file.  In my case, with Acquia prosper (and Skinr module), I was able to add a custom CSS class to the block which then was defined in the local.css file:

.custom-css-name p{
margin:0;}

So that works.  You can also try a CSS override in the following manner:  #your-block-id p { margin: 0; }

Or finally, you can always create a new block input type that doesn’t convert spaces into unwanted tags.  Basically a new input format that will have the following property unchecked:

Converts line breaks into HTML (i.e. <br> and <p> tags).

I hope this helps if you have also run across this problem … ah that pesky <p> tag that just won’t go away!

This is Chinnamastikaa chaaliisaa for maaN Chintapuranii.

You can find it below in Hindi (Unicode devanagri) and Roman script.  You can also download a PDF version (in devanagri) by clicking here: chhinmastika-chalisa

मां चिन्तपुरनी चालीसा

.. दोहा ..

छिन्नमस्तिका मां मेरी, वंदन करो स्वीकार .
चिन्ता हर लो दास की, दे संतोष धन अपार ..
मङ्गल करो सर्वमङ्गला, हे मां क्रिपानिधान .
दीन, हीन हूं शरण में, करो सर्व विधि कल्याण ..

.. चौपाई ..

नमो नमो सुखकरनी माता .
भाग्य संवारो भाग्यविधाता .. १ ..
जय जय जय मां चिन्तापुरनी .
विघ्न विनाशक मां सुखकरनी .. २ ..
पूजन आपका परम फलदायक .
ऋधी सिद्धी व सुखदायक .. ३ ..
मनमन्दिर में करो बसेरा .
हर पल पाऊं मां दर्शन तेरा .. ४ ..
मम्तामयी आंचल ओढ़ाना .
रोग संताप मां दूर भगाना .. ५ ..
चौसठ योगिनी मङ्गल गावे .
स्तुतिगान कर शीश निवावे .. ६ ..
तुम्हरी महिमा अगम अपारा .
शीश निवाये जगत है सारा .. ७ ..
एकाग्रचित्त जो होय समर्पित .
सब सुख करती, मां हो अर्पित .. ८ ..
कर में खप्पर, खण्डे वाली .
आप सा न कोई, मां बलशाली .. ९ ..
अपनी दया बनाये रखना .
सेवाभाव जगाये रखना .. १० ..
भक्ति में मन-चित्त लगाऊं .
मुक्ति की युक्ति यूं पाऊं .. ११ ..
भगतन पे हो दया की सागर .
भर देना मां ज्ञान की गागर .. १२ ..
अवगुण पे मां ध्यान न धरना .
असंभव को भी संभव करना .. १३ ..
मैं याचक तू सुख प्रदायिनी .
कल्याण करो मां हे कल्याणी .. १४ ..
जगजननी मां पालनकरनी .
दया द्रिष्टी सदा ही करनी .. १५ ..
हरो अमङ्गल मङ्गल कर दो .
वर्दानों की मां वर्षा कर दो .. १६ ..
संतोष का दीजो मोहे दान मां .
बल-बुद्धी मैं पाऊं ज्ञान मां .. १७ ..
दिव्य आलौकिक रूप तिहारा .
भव सागर से तारनहारा .. १८ ..
सौभग्या, आरोग्या दान में देना .
सुख-सुविधा वर्दान में देना .. १९ ..
दानव दलिनी, भयमोचिनी .
हे दुःखभंजन, पिण्डी रूपिणी .. २० ..
आपके हाथ मेरे लाभ व हानी .
कल्याण करो मां हे कल्याणी .. २१ ..
हाथ जोड़ कर करूं मैं वंदन .
जीवन में हो मां कभी न क्रंदन .. २२ ..
विनती पे सदा ध्यान मां धर्ना .
कारज सकल संपूर्ण कर्ना .. २३ ..
आप की क्रिपा जो है पाता .
निर्बल से वह सबल हो जाता .. २४ ..
पिण्डी रूपिणी, भय नाशिनी .
हरो मां चिन्ता, पर्वत वासिनी .. २५ ..
सुमिरिन करे भाव से जोई .
जन्म मरण से छूटे सोई .. २६ ..
आप तो नाना रूप धारिणी .
दैत्या दलिनी मां भय संहारिणी .. २७ ..
भगतन पे मां जब हर्षाती .
यश, कीर्ति मां फैलाती .. २८ ..
जब हो विपद ने मुझको घेरा .
चिंतामुक्त करो मन मेरा .. २९ ..
निर्मल मन जो करे पर्णाम .
सुख-सुविधा का देती हो दान .. ३० ..
माई दास मां शरण में आया .
मान-सम्मान व वैभव पाया .. ३१ ..
श्रद्धा सहित जो नाम ध्यावै .
पाप संताप निकट नहीं आवै .. ३२ ..
याद करूं, तब ही मां आना .
संकट मोचन, मां बन जाना .. ३३ ..
विनती पे मेरी ध्यान मां धर्ना .
हर विधि काज संपूर्ण करना .. ३४ ..
सर्व सुखों की आप तो दाता .
दुष्ट आप से भय को पाता .. ३५ ..
दुविधा में सुविधा बन जाती .
आपकी दया है सुख प्रदाती .. ३६ ..
श्रद्धा सहित जो पूजन करते .
दुःख दरिद्र तन से झरते .. ३७ ..
असंभव को मां संभव करती .
वर्दानों से मां झोली भरती .. ३८ ..
पढ़ै चालीसा जो चित्त लाय .
परम सौभग्या, नवनिधि पाय .. ३९ ..
बुरी आत्मा नहीं है सताती .
“शौंकी” कवच है मां बन जाती .. ४० ..

दोहा

पिण्डी रूपिणी मां मेरी, सर्वकला संपन्न .
शरणागत हूं द्वार पे, होना मां प्रसन्न ..

नवदुर्गे स्तुती

नमो नमो नवदुर्गे जय जय, नमो नमो नवदुर्गे जय .
संकटहरनी, मङ्गलकरनी, सदा हो तेरी जय ..
नमो नमो …

शैलपुत्री, ब्रह्माचारिणी, हे कूष्माण्डा माता .
तेरा तो है भगतजनों से, हर पल मैया नाता ..
जिस संग तेरी क्रिपा रहती, रहता वह निर्भय .
नमो नमो …

चन्द्रघंटा, कात्ययनी मां, कालरात्रि, महागौरी .
प्रेम-सुधा बरसाओ मुझपे, दुविधा हर दो मेरी ..
ममताभाव विखेर के मां, पल दे दो सुखमय .
नमो नमो …

ऋधी, सिद्धी देना मैया, संकद जननी, सिद्धदात्री .
वरदायिनी, ज्ञानदायिनी, काटो दुःख की रात्रि ..
“शौंकी” जिसे सहारा मां दे, मां होता वह अजेय .
नमो नमो …

आरती चिन्तपूर्णी देवी जी की

चिन्तपूर्णी चिन्ता दूर करनी,
जन को तारो भोली मां .
काली दा पुत्र पवन दा घोड़ा,
सिंह पर भई असवार भोली मां .. १ ..
एक हाथ खड़ग दूजे में खंडा,
तीजे त्रिशूल संभाले, भोली मां .. २ ..
चौथे हाथ चक्कर, गदा पांचवें,
छठे मुण्डों दी माल, भोली मां .. ३ ..
सातवें से रूण्ड-मुण्ड विदारे,
आठवें से असुर संहारे, भोली मां .. ४ ..
चम्पे का बाग लगा आति सुन्दर,
बैठी दीवान लगाय भोली मां .. ५ ..
हरि हर ब्रह्मा तेरे भवन विराजे,
लाल चंदोया बैठी तान, भोली मां .. ६ ..
औखी घाटी विकटा पैंडा,
तले बहे दरिया, भोली मां .. ७ ..
सुमर चरन ध्यानू जस गावे,
भक्तां दी पेज निभाओ भोली मां .. ८ ..

Roman Version

This version has been trasncribed below as per the iTrans Transliteration Scheme which can be found at http://www.aczoom.com/itrans/

maa.n chintapuranii chaaliisaa

.. dohaa ..

Chinnamastikaa maa.n merii, va.ndan karo sviikaar .
chintaa har lo daas kii, de sa.ntoSh dhan apaar ..
ma~Ngal karo sarvama~Ngalaa, he maa.n kripaanidhaan .
diin, hiin huu.n sharaN me.n, karo sarv vidhi kalyaaN ..

.. chaupaaii ..

namo namo sukhakaranii maataa .
bhaagya sa.nvaaro bhaagyavidhaataa .. 1 ..
jay jay jay maa.n chintaapuranii .
vighn vinaashak maa.n sukhakaranii .. 2 ..
puujan aapakaa param phala_daayak .
R^idhii siddhii va sukhadaayak .. 3 ..
manamandir me.n karo baseraa .
har pal paa_uu.n maa.n darshan teraa .. 4 ..
mamtaamayii aa.nchal o.Dhaanaa .
rog sa.ntaap maa.n duur bhagaanaa .. 5 ..
chausaTh yoginii ma~Ngal gaave .
stutigaan kar shiish nivaave .. 6 ..
tumharii mahimaa agam apaaraa .
shiish nivaaye jagat hai saaraa .. 7 ..
ekaagrachitt jo hoya samarpit .
sab sukh karatii, maa.n ho arpit .. 8 ..
kar me.n khappar, khaNDe vaalii .
aap saa na koii, maa.n balashaalii .. 9 ..
apanii dayaa banaaye rakhanaa .
sevaabhaav jagaaye rakhanaa .. 10 ..
bhakti me.n man\-chitt lagaauu.n .
mukti kii yukti yuu.n paauu.n .. 11 ..
bhagatan pe ho dayaa kii saagar .
bhar denaa maa.n GYaan kii gaagar .. 12 ..
avaguN pe maa.n dhyaan na dharanaa .
asa.nbhav ko bhii sa.nbhav karanaa .. 13 ..
mai.n yaachak tuu sukh pradaayinii .
kalyaaN karo maa.n he kalyaaNii .. 14 ..
jagajana_nii maa.n paalanakaranii .
dayaa driShTii sadaa hii karanii .. 15 ..
haro ama~Ngal ma~Ngal kar do .
vardaano.n kii maa.n varShaa kar do .. 16 ..
sa.ntoSh kaa diijo mohe daan maa.n .
bal\-buddhii mai.n paauu.n GYaan maa.n .. 17 ..
divya aalaukik ruup tihaaraa .
bhav saagar se taaranahaaraa  .. 18 ..
saubhagyaa, aarogyaa daan me.n denaa .
sukha\-suvidhaa vardaan me.n denaa .. 19 ..
daanav dalinii, bhayamochinii .
he duHkhabha.njan, piNDii ruupiNii .. 20 ..
aapake haath mere laabh va haanii .
kalyaaN karo maa.n he kalyaaNii .. 21 ..
haath jo.D kar karuu.n mai.n va.ndan .
jiivan me.n ho maa.n kabhii na kra.ndan .. 22 ..
vinatii pe sadaa dhyaan maa.n dharnaa .
kaaraj sakal sa.npuurN karnaa .. 23 ..
aap kii kripaa jo hai paataa .
nirbal se vah sabal ho jaataa .. 24 ..
piNDii ruupiNii, bhaya naashinii .
haro maa.n chintaa, parvat vaasinii .. 25 ..
sumirin kare bhaava se jo_ii .
janm maraN se chhuuTe so_ii .. 26 ..
aap to naanaa ruup dhaariNii .
daityaa dalinii maa.n bhaya sa.nhaariNii .. 27 ..
bhagatan pe maa.n jaba harShaatii .
yasha, kiirti maa.n phailaatii .. 28 ..
jaba ho vipad ne mujhako gheraa  .
chi.ntaamukt karo mana meraa  .. 29 ..
nirmal man jo kare parNaam .
sukh\-suvidhaa kaa detii ho daan .. 30 ..
maa_ii daas maa.n sharaN me.n aayaa .
maan\-sammaan va vaibhav paayaa .. 31 ..
shraddhaa sahit jo naam dhyaavai .
paap sa.ntaap nikaT nahii.n aavai .. 32 ..
yaad karuu.n, tab hii maa.n aanaa .
sa.nkaT mochan, maa.n ban jaanaa .. 33 ..
vinatii pe merii dhyaan maa.n dharnaa .
har vidhi kaaja sa.npuurN karanaa .. 34 ..
sarva sukho.n kii aap to daataa .
duShT aap se bhaya ko paataa .. 35 ..
duvidhaa me.n suvidhaa ban jaatii .
aapakii dayaa hai sukh pradaatii .. 36 ..
shraddhaa sahit jo puujan karate .
duHkh daridra tana se jharate .. 37 ..
asa.nbhav ko maa.n sa.nbhav karatii .
vardaano.n se maa.n jholii bharatii .. 38 ..
pa.Dhai chaaliisaa jo chitt laaya .
param saubhagyaa, navanidhi paaya .. 39 ..
burii aatmaa nahii.n hai sataatii .
“shau.nkii” kavacha hai maa.n ban jaatii .. 40 ..

dohaa

piNDii ruupiNii maa.n merii, sarvakalaa sa.npanna .
sharaNaagat huu.n dvaar pe, honaa maa.n prasanna ..

navadurge stutii

namo namo navadurge jaya jaya, namo namo navadurge jaya .
sa.nkaTaharanii, ma~Ngalakaranii, sadaa ho terii jaya  ..
namo namo \.\.\.

shailaputrii, brahmaachaariNii, he kuuShmaaNDaa maataa .
teraa to hai bhagatajano.n se, hara pala maiyaa naataa ..
jis sa.ng terii kripaa rahatii, rahataa vaha nirbhaya .
namo namo \.\.\.

chandragha.nTaa, kaatyayanii maa.n, kaalaraatri, mahaagaurii .
prem\-sudhaa barasaao mujhape, duvidhaa har do merii ..
mamataabhaav vikher ke maa.n, pala de do sukhamaya .
namo namo \.\.\.

R^idhii, siddhii denaa maiyaa, sa.nkad jananii, siddhadaatrii .
varadaayinii, GYaanadaayinii, kaaTo duHkh kii raatri ..
“shau.nkii” jise sahaaraa maa.n de, maa.n hotaa vaha ajeya |.
namo namo \.\.\.

aaratii chintapuurNii devii jii kii

chintapuurNii chintaa duur karanii,
jana ko taaro bholii maa.n .
kaalii daa putra pavana daa gho.Daa,
si.nha par bha_ii asavaar bholii maa.n .. 1 ..
ek haath kha.Daga duuje me.n kha.nDaa,
tiije trishuul sa.nbhaale, bholii maa.n .. 2 ..
chauthe haath chakkar, gadaa paa.nchave.n,
chhaThe muNDo.n dii maal, bholii maa.n .. 3 ..
saatave.n se ruuNDa\-muNDa vidaare,
aaThave.n se asur sa.nhaare, bholii maa.n .. 4 ..
champe kaa baag lagaa aati sundar,
baiThii diivaan lagaaya bholii maa.n .. 5 ..
hari har brahmaa tere bhavan viraaje,
laal cha.ndoyaa baiThii taan, bholii maa.n .. 6 ..
aukhii ghaaTii vikaTaa pai.nDaa,
tale bahe dariyaa, bholii maa.n .. 7 ..
sumar charan dhyaanuu jasa gaave,
bhaktaa.n dii pej nibhaao bholii maa.n .. 8 ..

This is a Letter  to the Editor of The Hindu, from a practising Christian lady who was Professor in Stella Maris College, Chennai till recently; now settled at Baroda, regarding an Edit in The Hindu in favour of bringing back MF Hussain to India.

==============

Dear Ram,

I have taken time to write this to you Ram-for the simple reason that we have known you for so many years- you and The Hindu bring back happy memories Please take what I am putting down as those that come from an agonized soul. You know that I do not mince words and what I have to say I will-I call a spade a spade-now it is too late for me to learn the tricks of being called a ‘secularist’ if that means a bias for, one, and a bias against, another.

Hussain is now a citizen of Qatar-this has generated enough of heat and less of light. Qatar you know better than me is not a country which respects democracy or freedom of expression. Hussain says he has complete freedom-I challenge him to paint a picture of Mohammed fully clad.

There is no second opinion that artists have the Right of Freedom of expression. Is such a right restricted only to Hussain? Will that right not flow to Dan Brown-why was his film-Da Vinci Code not screened? Why was Satanic Verses banned-does Salman Rushdie not have that freedom of expression? Similarly why is Taslima hunted and hounded and why fatwas have been issued on both these writers? Why has Qatar not offered citizenship to Taslima? In the present rioting in Shimoga in Karnataka against the article Taslima wrote against the tradition of burqua which appeared in the Out Look in Jan 2007.No body protested then either in Delhi or in any other part of the country; now when it reappears in a Karnataka paper there is rioting. Is there a political agenda to create a problem in Karnataka by the intolerant goons? Why has the media not condemned this insensitivity and intolerance of the Muslims against Taslima’s views? When it comes to the Sangh Parivar it is quick to call them goons and intolerant etc. Now who are the goons and where is this tolerance and sensitivity?

Regarding Hussain’s artistic freedom it seems to run unfettered in an expression of sexual perversion only when he envisages the Hindu Gods and Goddesses. There is no quarrel had he painted a nude woman sitting on the tail of a monkey. The point is he captioned it as Sita. Nobody would have protested against the sexual perversion and his orientatation to sexual signs and symbols. But would he dare to caption it as ‘Fatima enjoying in Jannat with animals’?

Next example-is the painting of Saraswati copulating with a lion. Here again his perversion is evident and so is his intent. Even that lets concede cannot be faulted-each one’s sexual orientation is each one’s business I suppose. But he captioned it as Saraswati. This is the problem. It is Hussain’s business to enjoy in painting his sexual perversion. But why use Saraswati and Sita for his perverted expressions? Use Fatima and watch the consequence. Let the media people come to his rescue then. Now that he is in a country that gives him complete freedom let him go ahead and paint Fatima copulating with a lion or any other animal of his choice. And then turn around and prove to India-the Freedom of expression he enjoys in Qatar.

Talking about Freedom of Expression-this is the Hussain who supported Emergency-painted Indira Gandhi as Durga slaying Jayaprakas Narayan. He supported the jailing of artists and writers. Where did this Freedom of Expression go? And you call him secularist? Would you support the jailing of artists and writers Ram –would you support the abeyance of the Constitution and all that we held sacred in democracy and the excessiveness of Indira Gandhi to gag the media-writers- political opponents? Tell me honesty why does Hussain expect this Freedom when he himself did not support others with the same freedom he wants? And the media has rushed to his rescue. Had it been a Ram who painted such obnoxious, .degrading painting-the reactions of the media and the elite ‘secularists’ would have been different; because there is a different perception/and index of secularism when it comes to Ram-and a different perception/and index  of secularism when it comes to Rahim/Hussain.

It brings back to my mind an episode that happened to The Hindu some years ago.[1991]. You had a separate weekly page for children with cartoons, quizzes, and with poems and articles of school children. In one such weekly page The Hindu printed a venerable bearded man-fully robed with head dress, mouthing some passages of the Koran-trying to teach children .It was done not only in good faith but as a part of inculcating values to children from the Koran. All hell broke loose. Your office witnessed goons who rushed in-demanded an apology-held out threats. In Ambur,Vaniambadi and Vellore the papers stands were burned-the copies of The Hindu were consigned to the fire. A threat to raise the issue in Parliament through a Private Members Bill was held out-Hectic activities went on-I am not sure of the nature and the machinations behind the scene. But The Hindu next day brought out a public apology in its front page. Where were you Ram? How secular and tolerant were the Muslims?

Well this is of the past-today it is worse because the communal temperature in this country is at a all high-even a small friction can ignite and demolition the country’s peace and harmony. It is against this background that one should view Hussain who is bent on abusing and insulting the Hindu Gods and Goddesses. Respect for religious sentiments, need to maintain peace and harmony should also be part of the agenda of an artist-if he is great. If it is absent then he cannot say that he respects India and express his longing for India.

Let’s face it-he is a fugitive of law. Age and religion are immaterial. What does the media want-that he be absolved by the courts? Even for that he has to appear in the courts-he cannot run away-After all this is the country where he lived and gave expression to his pervert sadist, erotic artistic mind under Freedom of Expression. I simply cannot jump into the bandwagon of the elite ‘secularist’ and uphold what he had done. With his brush he had committed jihad-bloodletting.

The issue is just not nudity-Yes the temples-the frescos in Konarak and Kajhuraho have nude figures-But does it say that they are Sita, Sarswati or any goddesses? We have the Yoni and the Phallus as sacred signs of Life-of Siva and Shakthi-take these icons to the streets, paint them -give it a caption it become vulgar. Times have changed. Even granted that our ancients sculptured and painted naked forms and figures, with a pervert mind to demean religion is no license to repeat that in today’s changed political and social scenario and is not a sign of secularism and tolerance. I repeat there is no quarrel with nudity-painters have time and again found in it the perfection of God’s hand craft.

Let me wish Hussain peace in Qatar-the totalitarian regime with zero tolerance May be he will convince the regime there to permit freedom of expression in word, writing and painting. For this he could start experimenting painting forms and figure of Mohamed the Prophet-and his family And may I fervently wish that the media-especially The Hindu does not discriminate goons-let it not substitute tolerance for intolerance when it comes to  Rahim and Antony and another index for Ram.

I hope you will read this in the same spirit that I have written. All the best to you Ram.

Dr Mrs Hilda Raja, Vadodara  (her blog is at http://hildaraja.wordpress.com/ where other such thought provoking letters are available).

Here’s a link to show some of the paintings by MF Hussain, you be the judge, tell us what you think when it comes to his paintings whether he is simply using freedom of expression or whether he has any other agenda.

http://su.pr/2Liv0b

nazm uljhi hui hai seene meiN
misre aTke hue haiN hoNToN par
uRte phirte haiN titliyoN ki tarah
lafz kaaGhaz pe baiTh_te hi nahiiN

kab se baiTha hua houN maiN jaanam
saada kaaGhaz pe likh ke naam tera
bas tira naam hi mukammil hai
is se behtar bhi nazm bhi kyaa hogi!

Gus The Gingerbread Man

and then I figured, time to make a simple model myself…. and this cup came out of blender!

Styrofoam Cup

I know it’s not perfect, but not bad for a newbie!